The Modern Music Video

(First Posted over at the good blog, Heavy Blog is Heavy)

Last year I wrote an essay for my course at Uni where I argued that the music video as a medium was dead on its feet. It was over. Done. Nobody paid attention to them anymore, they’d lost their power in attracting audiences, no label was prepared to put money into them, that they were surface-level tedium, and that they were obsolete as a promotional tool. In many cases I still maintain that these aspects are true; old ideas are recycled constantly and cheap performance videos multiply overnight. But I think I’ve changed my mind since then. I now believe that the music video is re-emerging.

After a decade of new internet services siphoning off the music video’s previous purpose, to expose and promote the band visually and to develop a band image they are able to sell, broadly the music video is still filled with the same old content, but the bands and their management are using them differently. Instead of drumming up hype before a release they are now utilising them as a means of remaining in their audiences’ consciousness. In an environment where there are hundreds of bands, nigh thousands domestic and internationally, vying for media attention, the videos have transformed from ‘ooh we have a new release check us out’ to ‘we’re here, we’re here, we exist!’. And so if a band receives any sort of attention it’s integral that they remain in the news in any way they can, and a music video serves that purpose. As Marshall McLuhan said, ‘the medium is the message’.

Malleus - Roadburn 2009 Posters

I don't think I can emphasize enough about how much I love the work of Italian screen printers extraordinaire Malleus. I narrowed down their portfolio just to focus on the posters they produced for the Roadburn festival back in 2009 and it is these works which first gained my attention of the art collective. 

In my eyes I can see Alphonse Mucha's overt influence in all aspects, the consistent feature of semi-naked women, the explosive colours and the poster medium Mucha too favoured. It's also in the grace and beauty of the women and the subtle combination of the colours, though Mucha preferred earthier tones Malleus go psychedelic and burst with powerful, flourishing colour which is marvellous. 

I totally recommend you to go check out more of their work at their cool website HERE

On top of their awesome art, some members of the Malleus collective are also in the drone/doom band Ufomammut, see a cool photo I took of them live here, they are psychedelic and heavy and worth your time. 

Check out Ufomammut HERE and below...

Hiroshi Sugimoto

This past month has been, to say the least, difficult. However, here we are now, whole and well, and looking at the fantastic photographer Hiroshi Sugimoto. And I like his minimalist style. A lot. It's subtle and fascinating and he likes his themes and most importantly I like his themes. Here, I am showcasing my favourite series of photos he's done where he's taken a photo of a film playing in aesthetically pleasing theatres at an extremely low shutter speed in order to capture the entire film in one image. In fact, I'll let him explain...

...

I'm a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led up to this vision went something like this: Suppose you shoot a whole movie in a single frame? And the answer: You get a shining screen. Immediately I sprang into action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. That evening, I developed the film, and the vision exploded behind my eyes.  

- Hiroshi Sugimoto

...

For me, this is genius. I am currently in post production of producing a short film, indeed I am the editor, and so the idea of an entire film and all of it's thousands of frames captured into a single frame, not only explodes MY eyes, but it makes my head hurt too. 

I am loving Hiroshi Sugimoto, and I feel you should too, check his other cool works HERE

More digestible information can be found HERE

Kozyndan

Octopus!

Courting

 It has been an utter nightmare trying to decide which images to put up to accompany this post for Kozyndan. Every place I looked there was just more and more astounding work, at one point I genuinely had six images uploaded, but obviously that's a bit much so, here we are, the two images I like the most as of this minute. By the time I finsh writing I'll probably want three other images.

Kozyndan are a husband and wife dynamic duo, where Kouze would sketch the outline then Dan would follow up with their patented colour. It is this colour use that is quintessentially Japanese: big and flat. This kind of colouration that makes me think of a diving pool full of paint of one colour, it has that richness and deep strong hue that looks like you could swim in it and drink it.

Ach and the detail too! I can almost feel the water spraying my face when I look at the bottom image!

I sincerely love everything Kozyndan have done, I even have had their work as my background on my laptop for months on end.

Check out their great and comprehensive website, it has EVERYTHING, AND IT'S GREAT: HERE

Hey, buy prints HERE

Updates, Connection Problems and Lucien Freud Exhibition

So, how bloody annoying  is it when your laptop that perfectly works for two years suddenly decides that the internet connection it's been perfectly connecting to for two years isn't there anymore?

Yeah. So, until I sort that out I am very much afraid (((Hyperpower))) may sit still for a few more days.

Anyway, UPDATES!!

I've progressed exceedingly well with the Zine, out of 16 pages I have 14, and am thinking about upping the content to 20 pages, but printing costs have to be considered too. I have several contributions from some very cool people and am waiting on some more. I think it's going to turn out pretty cool. When I can, I'll post some photos of the process.

Today, I went to the Lucien Freud exhibition at the National Portrait Gallery and believe if you get the chance, go. Freud's portraits are astounding in their intensity of attention to detail and I would think, though not meaning to be photographic, obviously, in many cases better than a photograph. Freud seems to capture the sitter, in his very laborious and time consuming process - apparently David Hockney's portrait took 130 hours! - and the sitter's essence. They're not only time invested in to the painting but emotionally invested too as Freud talks to them.

The exhibition is so good and it'll be on until the 27th May so definitely check it out. Here's the website HERE

Josh Graham

Josh Graham is the visual artist for the band Neurosis which is how I found out about him, but he also does artwork for records and whatnot for bands like A Storm of light and Red Sparrows all of whom are very cool.

The landscapes Graham digitally produces are phenomenal, huge expanses of rich detail and awesome colour, colour that you can dive into on the physical format. His work explores ecological themes and man-made product's interaction with nature when they're disposed of, and animals inhabiting places of the most strange nature.

His work is eery, unrestrained and textured. I haven't seen Neurosis live but I imagine it's a whole encompassing audio and visual experience that drowns you in senses.

Check out more of Josh Graham HERE

And I would recommend to check out Neurosis too if you haven't HERE

Richard Avedon

I do confuse myself sometimes. Portraiture in painting bores the crap out of me, but portraiture in photography, done well mind, is so enthralling. I imagine being asked to be a subject for a portrait means you either have loads of wrinkles, look whacky or both.

Richard Avedon had been prolific in his portraiture, photographing big, influential figures from all the arts, literature, film, music, dance and artists and fellow photographers. His work is captivating in its intimacy.

The top image has the privilege of being my favourite portrait photograph ever. It sparked off an interest in Ezra Pound, the image's subject, that later affected an essay I was writing at the time. He appeared to be a wholly complex character, knowing many other affluent figures in literature and art, dealing with unsavoury characters like Wyndham Lewis, and personal heroes like Ernest Hemingway (even though many consider he was unsavoury too, I don't I think was he was cool).

The bottom image is of much-acclaimed and well-lauded director John Ford who Avedon captured immaculately his seeming impatience and stubbornness, which portrays Ford's personality wonderfully.

I'd recommend you to head to this website where you can see whole portfolios that are uncomparable: HERE

Roger Dean

I couldn't believe it going through our, admittedly rather brief, archive and finding that I have yet to mention the, frankly, brilliant Roger Dean. He's mostly known for his intergalactic and astoundingly beautiful and surreal landscapes, floating islands, dense jungles, monolithic rock formations, hive-like constructions and the odd pyramid or two.

However, above I've put two images of my favourite works by Mr Dean and they mainly focus on his creatures, that dragon up top is incredible in it's majesty and colour, and breathes a whole new way of thinking of what a dragon could be. And the octopus is there because I think the octopus is the boss. Obsessed with octopi(?) at the moment. Way cool.

His works are well-known for being used as record covers for bands like Yes and Rush and other prog rock royalty, and on his influencing many in the younger generations, the one that comes to mind the most is Arik Roper who is also a genius.

Check out his well made website HERE

Jake and Dinos Champman

Sorry I haven't posted in a while and neglected the blog. But am back for a reign of terror ;)

Jake and Dinos Champman I discovered in current project that I am doing in my Photography degree at AUCB, called Photography and Realism.

I am blessed with erratic and bizarre dreams which are elusive and clear as day and I hoped that this would be a great starting point for this Realism project. So within a meeting with the legend that is Hitesh Ambasna he guided me towards the Champman brother duo.

The work which I was introduced to was there constructed 'mini' scenes. Such as this...

Their work employs death, sex, Nazism, children and the actions in the consumer lifestyle.

There is such a splendid amount going on.

A lot of the work from these concept artists I cant help but feel is quite, (putting it plainly), 'fucked up'.

And I like 'fucked up'!

The work of these sublime artists evokes an emotion or terror from the audience or onlooker. The best form of art (in my opinion) is that, that scares the shit out of the viewer. It wouldnt be worth while otherwise.

Go along and get scared shitless yourself.

http://www.jakeanddinoschapman.com/

FIN

Kate Boxer

So whilst wondering around Shaftesbury with Cherub the Great I encountered a chair on a corner of a street with a pile of the magazine [Evolver], who also have a penchant for parentheses and whirly-gigs, and as I am a fan I snatched one up immediately, because I'm a curious creature and free stuff is normally better and more satisfying than anything that needs exchangement of paper with queens heads printed on them.

I discovered Kate Boxer's work whilst browsing and became immediately intrigued, her animal pictures in print and paint were striking and used big block colours which I do love so, and a bleak, melancholic atmosphere, especially with that serene green background in that top picture up there.

So yeah colour me a fan of Kate boxer, great work. My favourite though, contradicting my love of colour is that snake image, it's strong and bold, composed and writhing, I don't know exactly why, it hits me just right and would love it on my wall.

If you're interested to see more, check out her website, lots of good quality images there

And, uh, more information than just me rambling, is available here

Seldon Hunt

Seldon Hunt has a healthy obsession of skulls. An obsession I share. Hunt's work is vibrant, hectic, packed with colour and well, quite skully. The bottom image is of Master Musicians of Bukkake's record Totem One and it's one of my favourite record artworks.


Hit up Seldon's website for more cool prints and illustrations: here.

Quayola

THIS IS SO AWESUM.

Quayola is a visual artist who experiments with video, photography, design and live performance mediums and I find some of his works to be stunning. An emphasis on some mind. A good example is his project 'Partitura', a video of which you can see above.

Partitura is a custom software to generate realtime graphics aimed at visualising sound. The term “Partitura” (score) implies a connection with music, and this metaphor is the main focus of the project. Partitura aims to create a new system for translating sound into visual forms.

I do find this to be incredible, and something I want immediately. We have all experienced the crappy visualisers of audio on our media players and I for one can see no correlation of what is projected visually in relation to whatever I play. It doesn't actually transform the audio, there is no visual actualisation. What is cool is Quayola has seemed to have created something that does generate the audio into something visual.

I always imagine a film that is imbued by music, I always feel music has a story to tell. Sometimes the film isn't always a narrative, sometimes it is just shapes and colour and abstract form, a good example of this is Electric Wizard's 2010 record 'Black Masses' which in my head is a giant black ball of sludge.

I like this a lot, I would buy the 'Partitura' software if I could. I've already watched that video three times.

Hit up Quayola's website to read up on his works, they are very interesting: here

INSA

That top image is just awesome. I know nothing about, mainly, street art artist INSA, but I spied this on Juxatpoz's website and I thought I had to reblog it. It's also nice that INSA keeps a cool little blog, and that he is quite successful, after some quick reading I see he's been doing some recent visual work for Nike, so if you're a fan of Nike you may know more than me.

The bottom image shows our man has a 'Heel Fetish', and is wonderfully colourful. Streaky abstract colour acting as a backdrop to the refined and toned, and tanned, calf and heel. I do like that image.

Anyway, hit up his blog: here.

EDIT: Blogspot is irritating me again. The top image is a .Gif and is meant to move, but blogspot seems to disagree. Hit here to Juxtapoz to see it properly. Grrrr.

Sunn o)))

This music is the blackness that is depicted in it's record art. The thick, sludge-like blackness which sticks to you and burns you. This music is dearth and fire, emaciation and immolation.

Around here are the borderlands; bleak, barren and bitter.

This is Sunn o))) and the time is 23:49, I am at home, in my room, at my desk. Safe.

Paco Pomet

I don't normally include three pictures, too cluttery-ish, but Paco Pomet is just too good and I couldn't just pick two. Taking fine art traditional realism and infusing it with striking abstract details, conveying a rather off-kilter image. A feeling of something is not quite right. And, of course, a little humour helps.....

COOOOOKIE!

I insist you take a look at Pomet's excellent body of work which is rather comprehensively stored on his pleasingly simple website: here.

Florian Bertmer

I love poster art. I have actually blogged a few times elsewhere, thematically with High on Fire here and again focusing on the great Frank Kozik here, and yet I keep on finding more and more cool artists. The latest one being Florian Bertmer.

I unfortunately know very little about him apart from the fact that he does some very cool art. And that I am tired and that I can not be bothered to look. However,n what I do know is that the bottom image is beyond way cool, the intricacies and vibrant colour, the beautiful tattooed woman holding a spear(!) juxtaposed to a symmetrical shrieking squirrel lurking behind her is not something you see every day. I love it.

I do sincerely urge you to check out his other works at his blog: here

More images can be found: here

Urs Fischer

Urs Fischer is an installation artist and sculptor with big ideas.

Today I'm focusing on his big and scary installation artwork. In my mind's eye his work is quite cinematic, the concave beaten wall looks like a monster is about to burst through whilst the hole looks like a trench or a IED has exploded in the middle of a gallery. Instead of being inward looking and creating a thing, Fischer looks outward to his environment.

Fischer gained my attention when his sculpture of a giant teddy bear is expected to fetch $10 million at auction next month, it is quite a sight to behold, story and image: here.

Unfortunately Urs doesn't have an official site but.....

More images of Urs Fischer's work can be found: here.

Aaaand some more: here.

Some O' Mine Photographs....

(click each image to enlarge, the top image does look much better when clicked on)

So in Bath it has been glorious weather recently, absolutely beautiful sun, and it is the first day of the year where I've only gone out in a t shirt. Obviously with trousers too, not just the shirt.

On campus at Bath Spa we have a stunning lake which is brilliant for lounging around on a sunny day under a tree, which is just what I did for three hours yesterday reading Ernest Hemmingway. It was good. Then I found a spider had crawled onto my collar which was not cool. Not cool at all.

The bottom image was at a ruins of a mill by a stream which is also on campus and I had to climb through some thicket to get there. It's the view through what I guess was once a circular window.

Fursy Teyssier

'Écailles de Lune'

'Septembre et ses dernières Pensées'

(click either image to enlarge)

I really enjoy French artist Fursy Teyssier's distinct ability of composition. the positioning and placement of colour and figures really lend well to the overall image.

The top image is the record art for Alcest's 2010 record 'Écailles de Lune'. I love the extensive use of blue, the skeletal fish swimming with the moon, the natural flow of the mermaid's hair is wonderful. Whereas the bottom image, Les Discrets 2010 record art for 'Septembre et ses dernières Pensées', shows an odd juxtaposition compared to the top image. Even though this painting is dominated by a towering shadowy giant with a long pointed beak, there is a silhouetted couple holding hands, with one holding an arm up in seeming awe. Looking closer, the hooded giant looks like it's bending down to see what the couple have to say.

I find each image to be really quite sweet, the Alcest one portraying care and intimacy, whilst Les Discrets conveys a closeness of the couple and a trust of the giant.

You can check out more of Fursy Teyssier's interesting artwork: here.

Fursy Teyssier is also the man behind Les Discrets' music, you can check their brand of Shoegaze Black Metal: here.

Ulver

Ulver's 'Shadow of the Sun' is one of the most stunning records I've ever listened to. It is so achingly melancholic, gorgeously warm and just beguilingly simple! Nothing here is conventional yet nothing here is out of place. As a vocal performance, Kristoffer 'Garm' Rygg is probably the hands down best at making grown metalheads weep with joy.

So it is perfect for midnight listenings! The above track is a cover of Black Sabbath's Solitude, but not in the way we're used to it. It is painfully beautiful, so try it out.

You can hit up the rest of the record on Youtube, or if you know how to fiddle with .rar files, well you know where to find them: here.

A note on the record art: It is simple but has powerful elements at work, showing two works of nature coincidentally forming a frame and an image.