The Modern Music Video

(First Posted over at the good blog, Heavy Blog is Heavy)

Last year I wrote an essay for my course at Uni where I argued that the music video as a medium was dead on its feet. It was over. Done. Nobody paid attention to them anymore, they’d lost their power in attracting audiences, no label was prepared to put money into them, that they were surface-level tedium, and that they were obsolete as a promotional tool. In many cases I still maintain that these aspects are true; old ideas are recycled constantly and cheap performance videos multiply overnight. But I think I’ve changed my mind since then. I now believe that the music video is re-emerging.

After a decade of new internet services siphoning off the music video’s previous purpose, to expose and promote the band visually and to develop a band image they are able to sell, broadly the music video is still filled with the same old content, but the bands and their management are using them differently. Instead of drumming up hype before a release they are now utilising them as a means of remaining in their audiences’ consciousness. In an environment where there are hundreds of bands, nigh thousands domestic and internationally, vying for media attention, the videos have transformed from ‘ooh we have a new release check us out’ to ‘we’re here, we’re here, we exist!’. And so if a band receives any sort of attention it’s integral that they remain in the news in any way they can, and a music video serves that purpose. As Marshall McLuhan said, ‘the medium is the message’.

Malleus - Roadburn 2009 Posters

I don't think I can emphasize enough about how much I love the work of Italian screen printers extraordinaire Malleus. I narrowed down their portfolio just to focus on the posters they produced for the Roadburn festival back in 2009 and it is these works which first gained my attention of the art collective. 

In my eyes I can see Alphonse Mucha's overt influence in all aspects, the consistent feature of semi-naked women, the explosive colours and the poster medium Mucha too favoured. It's also in the grace and beauty of the women and the subtle combination of the colours, though Mucha preferred earthier tones Malleus go psychedelic and burst with powerful, flourishing colour which is marvellous. 

I totally recommend you to go check out more of their work at their cool website HERE

On top of their awesome art, some members of the Malleus collective are also in the drone/doom band Ufomammut, see a cool photo I took of them live here, they are psychedelic and heavy and worth your time. 

Check out Ufomammut HERE and below...

Here and Now - ZINES!

So yeah, experimented with Blogger's 'Dynamic' layout. Didn't like it at all, so impersonal and black and white. At the risk of sounding like a three year old, where were the colours!? Bah.

Anyway, the good news is that the Zines are done and printed and looking great! Above you can see the cover bearing a photograph I took during the short burst of snow we had down here in Bath, looking up at the snow ledged on the bush brings an interesting perspective I felt. And I was stuck for ideas and had gone through several covers in the process. Believe me, that one is the best out of what I came up with. By far.

The Zine itself has short stories, some illustration which I'll post on here soon, the contributions were fantastic, and some photography by myself and Red, and if you would like one, just email me with your address and I'll post one out to you! And it will be free too, I just want everyone who wants one to have one!

My personal email is: dont_talk2urself [at] hotmail [dot] co [dot] uk

(I have to type it out like that because otherwise dirty spammers will try to send me shit. And I don't enjoy shit)

What you can also do, which would be very cool, is join our Facebook group! HERE

Also on that note, I am looking for more contributors for the Zine, so if any writers or illustrators or photographers would like to have their work published then contact me and I'll see what we can do, hit up that email above and lets get going.

We are only a one man operation, and so I use the 'royal'/'made up' 'we' when I refer to ourselves, or I mean me, or.... whatever. Anyway, what I mean to say is, any support is much appreciated!

Record Review: Crippled Black Phoenix - (Mankind) The Crafty Ape

First Posted at Heavy Blog Is Heavy

Chapter I – A Thread
01. Nothing (We Are…)
02. The Heart Of Every Country
03. Get Down And Live With It
04. (In The Yonder Marsh)
05. A Letter Concerning Dogheads

Chapter II – The Trap
06. Laying Traps
07. Born In A Hurricane
08. Release The Clowns
09. (What?)

CD2:
Chapter III – The Blues Of Man
01. A Suggestion (Not A Very Nice One)
02. (Dig, Bury, Deny)
03. Operation Mincemeat
04. We Will Never Get Out This World Alive
05. Faced With Complete Failure, Utter Defiance Is The Only Response

‘Craft’ is one of my favourite words in the dictionary (my most favourite being ’clavicle’, it has such sweet phonetics). It denotes as skilfully producing something by hand, and it is this ‘by hand’ bit which I wholly endorse. ‘By hand’ leads to something unique, something which has been imbued with its creator’s personality and skill. However, ‘Craft’ can also mean deviousness and trickery in an archaic form, and I believe it is this denotation Crippled Black Phoenix had in mind with the name of their latest record, especially when they still consider us all as those primordial apes.

On paper, and by right, Crippled Black Phoenix should be a crushing doom super group, with ex-Electric Wizard, ex-Iron Monkey, ex-Gonga and ex-Teeth of Lions Rule The Divine members; you wouldn’t have expected then that they undertake an expansive Pink Floydian approach to progressive rock. Yet, within the lush psychedelic soundscapes and handsome guitars and thumping rhythms they have that element of deviousness, that feeling of a pretty mask hiding the ugliness beneath, which lends a cliff-edge to this warm flowery meadow.

The comic-esque record artwork is interesting to interpret. The wolf face echoes the same one that appeared on 2010’s I, Vigilante and is now attached to a human body, and though it is snarling and looking fierce it’s running away. In fear, perhaps. Maybe there’s something worse than a wolf-headed man, something scarier?

I keep returning to Crippled Black Phoenix as, beside Colour Haze, I believe they are the classiest band operating today. Their I, Vigilante record was stunning, it was a descent, that weary journey from the zenith, and it reminded me of coming home from a long walk. No fanfare or crescendo, no blaze of fire but embers that smouldered in the dark and cast red across the floor.

I have found The Crafty Ape to have a much fuller and rounder sound than I, Vigilante, which was a more straightforward guitar record, now there are horns, organs, strings, choirs in places, female vocals stand out a bit more and the piano is beautifully played. It is this melding of orchestral sounds into a strong, cohesive stream or soundscape that, with recent forecasts in mind, makes me think of the weather and it’s forgotten splendour. All the elements have to be perfect, the temperature, wind, pressure, humidity, cloud cover, geography and only when they are all perfect does this pure, unique, white snow fall with it’s perennial aching beauty. Yet, of course, some sit in awe of the snow’s majesty whereas others stare in tragedy and it is this bi-polar beauty of snow that encapsulates The Crafty Ape for me. It is beautiful and psychedelic but also mournful and dark.

It isn’t all frosty, as there are sunbursts seen at the powerful end of ‘A Letter Concerning Dogheads’ and the visceral rhythm of ’Laying Traps’, but the British-instilled misanthropy and famous misery reflects most from this record.  I care a great deal for Crippled Black Phoenix, their records are always stirring and The Crafty Ape is a continuation of their triumph.

Hey, Full Album Stream... Cool...

Updates, Connection Problems and Lucien Freud Exhibition

So, how bloody annoying  is it when your laptop that perfectly works for two years suddenly decides that the internet connection it's been perfectly connecting to for two years isn't there anymore?

Yeah. So, until I sort that out I am very much afraid (((Hyperpower))) may sit still for a few more days.

Anyway, UPDATES!!

I've progressed exceedingly well with the Zine, out of 16 pages I have 14, and am thinking about upping the content to 20 pages, but printing costs have to be considered too. I have several contributions from some very cool people and am waiting on some more. I think it's going to turn out pretty cool. When I can, I'll post some photos of the process.

Today, I went to the Lucien Freud exhibition at the National Portrait Gallery and believe if you get the chance, go. Freud's portraits are astounding in their intensity of attention to detail and I would think, though not meaning to be photographic, obviously, in many cases better than a photograph. Freud seems to capture the sitter, in his very laborious and time consuming process - apparently David Hockney's portrait took 130 hours! - and the sitter's essence. They're not only time invested in to the painting but emotionally invested too as Freud talks to them.

The exhibition is so good and it'll be on until the 27th May so definitely check it out. Here's the website HERE

Mike Wohlberg

So, from igneous giant that is Anish Kapoor to the rocky boulder that is Mike Wohlberg (I really don't mean to sound condescending, honestly). Wohlberg is actually a very new to me by name, I discovered his being through this exciting announcement by metal news website Metal Sucks about their South by South West showcase for this year, and it appears Wohlberg did the poster for them. And boy it looks swell, swell enough for me to check him out and indeed good enough to write this blithering post about him.

I like his dirty graffiti design style and after some digging around it seems he's been designing merch and posters for some hefty hitters in the metal scene for a while, I spy Today Is The Day, Burnt By The Sun and Pelican among others.

I enjoy speculating about the imagery that is ingrained within music scenes, and it's importance in our new digital instantaneous living. Is the art accompanying the music as important as it once was? There are many arguments to say record art is losing its place, especially considering growing digital downloads and the tiny image file attached of the artwork. However, that is to exclude the other avenues within the music industry for artwork, the artwork that actually receives notice like the posters and merchandise, merchandise actually being the biggest emergent as integral for a musicians revenue.

And so the merchandise has to look good with good artwork otherwise it won't sell, and this is where artists like Mike Wohlberg come in. #tangentover

Anyway, every time I've typed Mike Wohlberg I've battled with myself to not type Mark Wahlberg.

Really all over the place today.

But really, Mike Wohlberg is super great and you should check out his website: HERE

Anish Kapoor

Orbit

Cloud Gate

Leviathan

I will confess now and say I still get a little bit giddy when I think of Anish Kapoor... and his art! (He is dreamy, though, right??)

His work, in some cases especially, is astronomical, it explores possibly not outer space but atmospheric space, it enhances the space, it shows that it's not a vacancy of air but a thing of itself. This is most apparent with his Leviathan piece which astounds me in its scope and sheer size.

The Turner Prize-winning artist isn't, actually shouldn't, really new to anyone, he's been one of the most prolific and enchanting artists in our modern era, but sometimes it is nice to take a step back and really appreciate what he's achieved. For me, Cloud Gate is stunning. It's like a piece of heaven molded in to this smooth, conclave, edible shape.

Here in Britain we're in the process of the building of our Olympic Tower, known as Orbit to Kapoor, and I for one am entirely in love with its architecture, it swoons, it dives and it surges high with skeletal refinement. I can not wait to see it finished and gleaming in the backdrop of panoramas the BBC will most certainly utilise during the Olympic coverage this summer.

To remind yourself of more of Kapoor's work hit up HERE

Truly impressive.

Stacey Rozich and Earth pt. II

Yep, I've already spoken about Stacey Rozich before and her fascinating line drawings of her mythical creatures with oriental flair, and I love it, obviously. Yet, I'm here again just to post about the new artwork she's done for Earth's second Angels of Darkness, Demons of Light records, and I think it's pretty cool.

As you could before, check out her work HERE

And here's some new Earth, enjoy...

                                                 

Zine Progress!

Yeah, this isn't very exciting , it's just I have the layout and format of the 'zine sorted out the other day and I thought I should document it on here. I've actually gotten to the point now where I've started to design individual pages and the cover and back cover designs and asking for contributors, so yeah I've been busy in this mini-hiatus from the flurry of posts of recent. Hopefully normal service will resume soonish...

(((Hyperpower))) 'Zine?

For a while now I've been thinking about making a 'zine, a self-published magazine of sorts with the DIY ethos and wabi-sabi nature. Of course printed media is never going to revive itself from it's inevitable death, much to the Newspaper Man's grief, but I find the physicality of a magazine enticing. It's permanent and real. Something to grip with your fingertips and experience.

It'll essentially be an artefact of a time and place, and that tangibility is exciting. And it's a bit of fun too.

So yeah, this may be in the works in the background, and I'll make sure to record its process on these here pages, with the layout and writing and illustrations and photography.

Keep an eye out.

On Writing: The Death of the Review

As a music record review writer I have found the form itself has been cheapened considerably over the last couple of years. Of course the fact that anyone can start up a blogspot and write about music makes the writing landscape so varied and interesting and colourful, but it also means there’s no filtration device. The degree of quality writing in reviews has cooled significantly.

I believe a review has it’s own art form; the writing has to be informative of the subject that you are reviewing, but it must also be entertaining and persuasive. Pure information is a pamphlet. A well-reasoned and thought-provoking discussion is a review.

This is not only restricted to digital media, which is a common misconception, printed media too have been on this slippery slope and continue to flail in their shallow puddles of vocabulary. To appeal to mass audiences does not mean the writing has to be dumbed down to the bare-essentials: clichés and a formula.

In the Music and indeed the Art industry, nothing else is as important as having your work be quality and unique, so why should it be different when you’re writing about those industries?

Here I break it down where I think the quality of reviewing is going awry, and follow with how I think a review should be.

…

The Body in Photograms by Red

The Body is something which is constantly and thoroughly used within archaic and contemporary art. Whether it is the all-time acclaimed works of the legends Pablo Picasso or Lucien Freud to the more modern works of Jenny Saville, Andres Serrano and Dylan Ricci.

It is a free and marvelous thing to use as subject matter. Not one body is the same and each of us have contours, freckles, scars, lumps and bumps that artists find irresistible.

For a recent project that I have done I looked at my face and other body parts in the medium of photogams. (The best way to explain what a photogram is, is to click on the Wiki link i am afraid!) Throughout my photographic up-bringing I have always loved the darkroom and the photogram techniques.

Fox Talbot and Anna Atkins are the main proprietors of the object onto photo-sensitive paper then exposure method.....

William Henry Fox Talbot

Anna Atkins

So within this project I combined both body and photograms.

The project title being 'Primitive' enabled me to use the most greatest primitive method of producing images there is, plus it is my favourite so this was a good project for me.

I stumbled across the technique for producing photograms of my face through experimentation in the darkroom with fix on my finger tips...

Vaseline on my lips...

E45 cream on my hands...

I liked the E45 cream.

Through much experimenting I had the idea to put the cream on one side of my face and print my face directly onto the photo-sensitive paper....

It was quite a break- through as the imprint has created a foetus looking pattern or shape on the paper. I had never seen anything like this before. So I had to expand on it.

I started putting the cream on both sides of my face (above), to show contact between the two faces, as if they are kissing.

The lack of intimidating and complicated techniques within this project just demonstrate the effectiveness of experimentation and simplicity within photography. If you want your face covered in cream and fixative to create pictures which completely sum up you as an artist, then do it. Less is sometimes (well in this case) more.

These however are not all the finished pictures... there is a lot more to show. But unfortunately they are with my tutor being marked.... so... watch this space!

FIN

RED

HUSH

I find Blogger so restricting at times, it's frustrating that the images are so small because you lose so much lush detail in HUSH's work.

Anyway, HUSH's work is a real show of fine art technicality blended with a whirlpool of graffiti that makes for fascinating street art. The bold, ravelling colours that flourish beneath the cold greys of the detailed portraitures set a perfect balance that juxtaposes but is still great to look at.

Honestly, HUSH is doing something really exciting with this work, and I'm sure to keep a close eye on what he gets up to project-wise.

For more information, check out his website: HERE

A New Year

I'm always astounded when I return to this often forgotten, tiring little corner of the Internet that I call mine. It sits ticking away gaining a frankly unbelievable amount of pageviews that are wholly undeserved. Since (((Hyperpower)))'s carnation there's been over 14,000 visits of which I am wholly thankful for each every one. I hope, like I keep on promising, to fill these pages with more content over the next year, there'll be more art, music and I will probably be using this space as a gathering place of all of my writing that is published on other sites.

But, that's saying and not doing so I'll leave you with a cool tune off a cool record.

Chelsea Wolfe - 'Pale On Pale' off the record Apokalypsis